Face mounted to dibond
WebFujiFlex, 1/8” TruLife Acrylic, White Dibond Encapsulation & Black Aluminum Museum-Back. Create pro level gallery quality artwork with our top selling HD photo paper and anti-reflective acrylic combo! Add depth, … WebUtilize a proprietary process whereby the print face is adhered to 1/8” high-gloss acrylic. Back of print is adhered to 1/8” dibond (aluminum …
Face mounted to dibond
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WebAcrylic Prints are beautiful Fine Art Prints face-mounted to plexiglass with polished edges. Offered with a variety of ultra-modern mounting options. Surfaces: Vivid or Metallic. Acrylic: 1/4" and 1/8" Thicknesses. Backing: … WebPlexiglass Mounting (Face Mount) In this process, plexi-glass is mounted directly onto the photo or artwork and acts as a protective barrier. A backing can be installed so the art …
WebDibond is two sheets of aluminium with a solid polyethylene core. A dibond backing is around three times the cost of a sintra backing, which can make the project less cost-effective. However, a dibond backing does have … WebWhen paired with our Metallic or FujiFlex photo paper, face mounting photos to acrylic creates a look that has to been seen to be believed. This ensures that vivid colors achieved by the acrylic printing process are not compromised. We then attach a museum back to the print. The backing creates a 1″ space between picture and wall, which makes ...
WebAcrylic Face Mounting also known as Perspex Face Mounting is the process of mounting a photographic print between a sheet of acrylic and a dibond backing sheet. Acrylic Face …
WebLarge-format fine art prints are mounted on a rigid dibond substrate and face-mounted with 3/16″ ultra-clear acrylic. This method ensures that your framed print will stay rigid over time. The ultra-clear acrylic face-mount accentuates the detail and sharpness inherent in the image while protecting your large fine art print from the elements. dialog\u0027s ebWebEssentially, Diasec is a patented and trademarked process of acrylic face mounting first invented by Heinz Sovilla-Brulhart in 1969. The process of adhering a print to acrylic without air bubbles, creating stunning color vibrancy, was first achieved by Heinz and the techniques used by several companies around the word today emulate the process ... dialog\\u0027s fmThe third essential aspect to face-mounts is an optically clear mounting adhesive, a two-sided adhesive that is used to adhere the photograph to the acrylic. It’s imperative that this is of the highest quality to ensure a clear picture with no distortion. Drytac’s product, specifically designed for this … See more First of all, an essential aspect to acrylic face-mounting is the choice of photograph paper or print media. Use only top-of-the-line photo paper for … See more Next on your list is the acrylic itself. Not all acrylic is alike. Specifically, there is a choice between cell cast acrylic and extruded acrylic. Cell … See more Which backing to use depends on the hanging system, and this is the final critical aspect when acrylic face-mounting a print. No matter how … See more You should also consider the backing to be used with your photograph – indeed, this could be the most important aspect if you are hanging your picture on a wall. The backing must … See more dialog\u0027s f