WebJan 5, 2003 · Time spent in the darkroom, working on black and white prints, isn't time wasted. It is one of the best ways of seeing mistakes, and successes, in camerawork gradually unfold in front of one's... WebMay 15, 2012 · 1) Overexpose 1.5-2.5 stops without compensating dev times (tough on your scanner, manageable in the wet darkroom) 2) Develop at 24°C instead of 20°C 3) Use HP5+ (inherently 'grainier' than Tri-X)
My approach to Rodinal semi-stand film development - EMULSIVE
WebJul 24, 2024 · Here is a scan of the print from Rodinal 1:25 on the new Ilford Portfolio RC paper compared to Rodinal 1:50: Scan from print: HP5 Rodinal 1:25 Scan from print: HP5 Rodinal 1:50 As you would expect the print from Rodinal 1:25 has more contrast as there is less compensation, but the two are quite close. Conclusion WebNo. In fact, your darkroom should not be dark! Since it’s a workspace, you need everyone to be able to see clearly. You can purchase bug-safe bulbs for your darkroom. They don’t … city fire restaurant the villages florida
Rodinal testing - 1:25 dilution — SidewaysEye
WebDeveloped by hand in Fomadon R09 (Rodinal) at 1:50 according to the data sheet in JOBO 1520, fixed with Fomafix, dried with Fotonal applied (pretty much Photo-Flo), scanned with a DIY rig and macro lens. ... Another optical c-print handmade in my colour darkroom. WebDec 2, 2006 · this combo (1+50) can be very helpful in harsh lighting. slightly balanced development will equalize a bit the differances between the sun-lit areas and the shadows for example, and later, in the daroom, this image can be printed on higher contrast paper (or gradation with multi-grade papers). WebApr 15, 2004 · It's only couple of weeks as I returned to my own darkroom after 15 years of 'lab-only'. I developed few FP-4 in ID-11 (1+3), then in Rodinal Special (1+15). All films … city fire restaurant lake sumter landing